PROJEKAT MUZIČKA ARHEOLOGIJA
Muzički vremeplov-etnoarheologija muzičkih instrumenata
Muzički instrumenti iz arheoloških i muzeoloških zbirki muzeja u Srbiji
Autori projekta
Marija Rakć-Lovrić, etnomuzikolog i Milena Vasiljević, arheolog
Ovaj projekat je zamišljen i realizovan sa idejom da srpskoj naučnoj i široj publici približi ideju o poreklu i nastanku muzičkih instrumenata, koristeći znanja, dostignuća i otkrića iz oblasti arheologije i etnomuzikologije, pri čemu je akcenat na arheološkim nalazištima sa teritorije Srbije.Istraživanja u vezi sa muzičkim instrumentima pronadjenim na arheološkim lokalitetima na prostoru današnje Srbije do sada nije bilo.
Način na koji je vršena analiza podataka pronađenih o instrumentima sa arheoloških lokaliteta u Srbiji je izveden kroz predstavljanje jednog po jednog kulturnog sloja sa svim instrumentima pronadjenim u njemu, dok su sa druge strane urađena komparativna istraživanja razvoja svakog instrumenta ponaosob. Budući da ovih instrumenata ima veoma malo, dalji cilj ovog projekta uspostavljanje komparacije sa instrumentima pronađenim na nalazištima u Evropi, kako bližim tako i daljim, radi dobijanja celovitije slike o razvoju čoveka i njegovog muziciranja od paleolita pa nadalje. Izučavanje ove vrste kulturnih dobara predstavlja veoma bitno naučno istraživanje, kojim se istražuje ne samo kultura muzčkog stvaralaštva ljudi sa ovih prostora od praistorije do danas, već i sam kontekst razvijanja kulture, kultura življenja, kao i aspekti života pojedinca i zajednice u kojima su zvuk i muzika imali važno mesto i različite namene, od ritualne i religijske do zabavne. Ono što je posebno zanimljivo je i zahvatanje multietničnosti, kroz sagledavanje istorijskog kontinuiteta kultura i naroda koji su živeli na ovim prostorima i ostavili u nasledje deo svoje kulture. Susreti kultura i njihovi medjusobni uticaji doprineli su stvaranju kasnijeg instrumentarijuma na teritoriji kako Srbije, tako i centralnog Balkana, konkretno u sferi narodne muzike.
Ovaj projekat je bio predstavljen na Međunarodnom festivalu Ruidal Sud koji je realizovan u avgustu 2015. godine u Novom Sadu, kroz ciklus predavanja i radionica koje su, kako studentima humanističkih nauka i ostalim predavačima i učesnicima festivala tako i široj publici, omogućili uvid u zanimljivosti, potencijal i značaj ovakve vrste istraživanja na našim prostorima.
PROJECT MUSIC ARCHAEOLOGY
Musical Time Machine-etnoarheology of musical instruments
Musical instruments from the archaeological museums and the collections of museums in Serbia
Authors
Marija Rakić-Lovrić, master ethnomusicologist and Milena Vasiljević, archaeologist
This project has been designed and implemented with the idea that Serbian scientific and general audiences get to know the idea of the origin and the emergence of musical instruments, using the skills, achievements and discoveries in the field of archeology and ethnomusicology, with the emphasis on the archaeological sites in the territory of Serbia. Research related to musical instruments found at the archaeological sites on the territory of today's Serbia so far has not happened.
The manner in which he conducted the analysis of the data found on instruments from archaeological sites in Serbia is carried out through the presentation one at a cultural level with all the found instruments in it, while on the other hand made a comparative research on the development of each instrument individually. Because these instruments are very few, a further aim of this project is to establish comparisons with instruments found at sites in Europe, as well as detailed further, to provide a more comprehensive picture of the development of man and his musicianship from the Paleolithic onwards. The study of this kind of cultural property is a very important scientific research, which examines not only the music in the region from prehistoric times to the present, but also the context of the development of culture, the culture of life, as well as aspects of the life of the individual and the community in which the sound and music had an important place and the different purposes of ritual and religion to entertainment. What is particularly interesting is the abstraction of multi-ethnicity, the assessment of the historical continuity of cultures and peoples who have lived in this area and left a legacy in part of their culture. Meetings of cultures and their mutual influences have contributed to the creation of instruments and tools later in the territory of both Serbia and the central Balkans, in particular in the field of folk music.
This project was presented at the International Festival Ruidal Sud, which was implemented in August 2015 in Novi Sad, through a series of lectures and workshops, as students of humanities and other speakers and participants of the festival and the general public, provided some insight into the interesting, the potential and importance of this kind of research in our region.
Predstavljanje projekta Muzicka arheologija, Presenting of a project Music Archaeology during
Međunarodni festival umetnosti Ruidalsud, International Art Fetival Ruidalsud
Novi Sad, avgust 2016. godine in Novi Sad, August 2016
